nightmayer

When most music artists produce boxed sets the collections are typically their own greatest hits, deeper-cut retrospectives, re-mastered reissues, alternate takes, unreleased tracks, and so on. The sets are often elaborately packaged, with book or other items.

Christine Lavin’s “The Seasons Project” reflects her career not so much as the wonderful songwriter and performer she is (see my comments on the house concert Chris did for us in February 2020) but rather as the indefatigable booster of other folk-rooted musicians. As I’ve told her over the years, she’s a great marketer — of others, too modest in some ways to promote herself as vociferously.

Example: With 80 tracks here, only three are hers. Of the 69 soloists and groups included, Chris introduced me to the music of eight of them since we met in the 1980s. I’ve never heard of 27 and while I’m not exposed to as much as I was when writing for newspapers regularly, I’m clearly not listening widely enough. This is a great corrective.

There are four albums here, one loosely themed or simply mood-appropriate for each season. Those familiar with Chris’s work over the long term will recognize “On A Winter’s Night” and “When October Goes,” compilations she curated in the 1990s. They’ve been remastered and each has at least one new track. The all-new spring set is “Coming Alive Again;” summer, also new, is collected on “Last Song For You.”

I’m still going back through and discovering memorable voices, lyrics, and melodies. In five hours of music, I haven’t come across a track that I’d skip next time. Chris’s taste is THAT good and wide-ranging.

As for the packaging, the four “albums” arrive on a handcrafted thumb drive packed in a wood box made by Ukrainian box builder Mykhailo Chaban. The book? It’s a 480-page PDF with Chris’s commentary, bios of all the musicians, lyrics, and photos, on the thumb drive.

The limited edition collection is available only on her website. I hope she has cause to manufacture more. Says Chris, “I created this collection with an eye firmly fixed on the future — expecting 50-100 years from now folklorists will find it useful.” Useful, yes, and inspiring, not just for folklorists, and not just in the future.